自分のアートは完成までどれだけの工程を経ているのかの忘備録。1,素材の木の角に紙やすり。2,下地の胡粉を塗る(メディウム入り)。3,水干絵の具で下地の色を塗る。4,大まかなデザインを考える。5,実寸大の紙に下書きを描く。6,カーボン紙で板に下書きを念写。7,下書きに沿って胡粉を盛り上げる。8,水干や岩絵具を絵全体に適当に散らして色の層を作る。9,一部に銀箔を貼る。10,ドーサで銀箔の錆止め。11,岩絵具で全体を着色。12,金雲母で縁の線を描く。以上、改めて日本画は本当に工程の多い手間暇のかかる画法ですが完成した時の喜びが大きいです。
A memorandum of how many processes my art has gone through to completion. 1, Sandpaper on the corner of the material wood. 2, Apply gofun (including Medium) as a base. 3, Paint the base color with mud paint. 4, Think about a rough design. 5,Draw a draft on the actual size paper of the work. 6, Copy the draft on the board with carbon paper. 7, Pilling up the gofun according to the lines of draft. 8, Sprinkle mud paint and mineral pigments over the entire picture to create layers of color. 9,Put silver leaf on a part of work. 10, Rust prevention of silver leaf with dosa. 11, Color the whole with mineral pigments. 12, Draw the edge line with gold mica. Once again, Japanese painting is a making technique that takes a lot of time and effort, but it gives me great joy when it is completed.