Concept and sensitivity

今自分の絵をいかに理論武装出来るかが私の課題です。というのも欧米で絵を評価してもらう際、概念=concept がないと話にならないからです。日本では感性=sensitivityが大事です。作者が絵に乗せた感情を観察者に察して貰うのです。しかしドイツで絵を制作するからには、概念の説明は避けては通れません。大変ではあるけど私の絵は感性がズレてるので概念化する方が恐らく合ってます。

Now I need to be armed with ideology for my works because concept is inevitable element when I’ll be evaluated in Europe. In Japan, the most important point for paintings is sensitivity. The observers are required to feel emotions what painters express those in the painting. But if I’m going to make works in Germany it shouldn’t avoid explaining the concept. Although it’s tough, it’s suitable for me because my sensitivity is getting off track:p

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